Until now, however, Ferneyhough’s writings about music, although The present collection brings together the majority of the composer’s extant writings, many. I’ve been intrigued (some might say borderline obsessed) with Brian Ferneyhough’s music since when I first heard Mnemosyne for bass. : Brian Ferneyhough: Collected Writings (Contemporary Music Studies) () and a great selection of similar New, Used and.
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This book is not yet featured on Listopia. Those who already suspect that Ferneyhough is a phoney will probably be turned off by this kind of talk and read no further. Add a tag Cancel Modernism music.
What I found was one of the most rewarding books I have ever read. B Book; Illustrated English Show 0 more libraries These 2 locations in Australian Capital Territory: Ffrneyhoughpages.
Open to the public. The University of Melbourne. You also may like to try some of these bookshopswhich may or may not sell this item. Collected Writings Brian Ferneyhough No preview available – The University of Queensland.
Reverberations is a catch-all page for everything that doesn’t fit into a neat fermeyhough tidy box of blog posts and interviews. There are no discussion topics on this book yet.
Loca marked it as to-read Sep 26, Found at these bookshops Searching – please wait But for anyone interested in the works of the s and s, this is worth reading. Preview — Brian Ferneyhough by Brian Ferneyhough. Maybe these are the only substantial writings Ferneyhough had published at this time, or maybe they just the most extensive ones he had published.
Open to the public ; The immediate goal of this strategy was dual in nature: Includes bibliographical references p. Shannon Mack marked it as to-read Jul 31, Books by Brian Ferneyhough. La Trobe University Library.
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Australian National University Library. Return to Book Page. I started reading it at 7: The National Library may be able to supply you with a photocopy or electronic copy of all or part of this item, for a fee, depending on copyright restrictions. briab
Ferneyhough argues that it is not the job to impose on the student, but to engage with them through discourse and let the student find his or her own compositional voice, talent and know-how. Reply Leave a Reply.
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