Find composition details, parts / movement information and albums that contain performances of Sonatina for flute & piano on AllMusic. Henri Dutilleux. Download Now on Beatport. Opening solo of the Sonatine, it states sans nuances. Any suggestions on how to play it? I try playing with very little or no vibrato at all, but I”m.
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When I play it, I try to keep the sound open and have very few upper harmonics with a little bit of vibrato.
This article about a sonata is a stub. Introspection Late Night Partying. French Music for Flute and Piano.
Modern French Music for Flute. When I studied this piece my teacher, she suggested a “smokey” effect which may include some vibrato. A frenzied accelerando played by both instruments concludes the piece.
French Works for Flute. The flute offers some brighter material as a bridge to a restatement of the opening piano melody, now appropriated fully by the flute and sounding gradually more playful.
This burbling material soon becomes the flute’s property, and the remainder of the section tests the flutist’s articulation, breath control, and agility in music that grows increasingly lighthearted.
Any suggestions on any of my questions? Lasting barely ten minutes, the sonatina falls into three sections played without pause. The Sonatine for Flute and Piano is an early work by the 20th-century French composer Henri Dutilleuxcomposed and published in A lot of french music has important aspects which are not communicated in the score, but are passed on from teacher to student and through performances.
Great 20th Century Flute Music. Rainy Day Relaxation Road Trip. No registered users and 3 guests. Poulenc, Hindemith, Dutilleux, Muczynski, Martin. AllMusic Featured Composition Noteworthy. The idea is to create contrast between the opening and theme flkte on, which should be subtly sensuous. This page was last edited on 24 Mayat Masterworks for Flute and Piano. One of a Kind.
Who is online Users browsing this forum: Share on facebook twitter tumblr. Any suggestions on how to play it? Chamber Music with Piano.
The first section features a mysterious theme in 7 8 contrasting with jagged piano figures. The Paris Conservatory commissioned it as a test piece for the graduating flutists of Ainsi la nuit Sonatine for Flute and Piano.
In 80 Minutes Around the World. It begins with a mysterious, tonally ambiguous flute dutillsux played over an angular, rising and falling piano motif that strongly recalls the style of Dmitry Kabalevsky. From Wikipedia, the free encyclopedia. Genre Chamber Music Classical.
Afternoon in Pan’s Labyrinth. They were commissioned by then-director Claude Delvincourt.
Romantic Evening Sex All Themes. The best thing is to listen to it being performed a bunch of times or get a recording since it’s such a wonderful piece.
He once stated that he had never been completely happy that it was played so often  but he never withdrew it. The work has become a standard of the flute repertoire  and has been performed many times by flautists such as Sharon Bezaly and Emmanuel Pahud.
As ofit is Dutilleux’s most often recorded work. A fast, tense, and questioning flute cadenza leads to an expressive, lyrical andante reminiscent of Poulenc in his most serious instrumental mode.
Board index All times are UTC. The last section features rapid exchanges between the flute and the piano before another short but difficult cadenza recalls the themes heard before. These pieces were intended both to test the technique of the students and provide them with new scores. A Portrait of Ensemble Pyramide.
Julius Baker Flute Recital. Excitement eventually builds until the piano takes over with a jubilant, if initially frantic, melody. Correspondances Deux sonnets de Jean Cassou Le temps l’horloge. Streams Videos All Posts. We tend to stereotype this sound as being less beautiful I think James Galway for instance goes for lots and lots harmonics all the time for any piece–the opposite of what you want to do for the begining of Dutilleux, but a little wind in the sound is ok, it adds a wispy effect.
The Sonatine for Flute and Piano is one of a series of four test pieces for the Paris Conservatoire that Dutilleux wrote between and It concludes with a cadenza that provides a transition to the lyrical second section.