Listen to Villa-Lobos: Complete Solo Guitar Works by Frédéric Zigante on Deezer . With music streaming on Deezer you can discover more than. View credits, reviews, tracks and shop for the CD release of Villa-Lobos: Complete Guitar Music on Discogs. Find album reviews, stream songs, credits and award information for Villa-Lobos: Complete Guitar Music [ Recording] – Frédéric Zigante on AllMusic –

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Someone who takes care of other people’s problems.

frdeeric You are given the position of artistic director of a concert hall. How do you balance the need to to put your personal emotions into the music you play and the intentions of the composer? Is there a crisis? An interpreter has crederic great power in his hands because without him the work has no life and can’t be heard.

This is the way to discover beauty in all music, not only classical.

Frédéric Zigante – Wikipedia

A good live performance requires good technical standards and acceptable contents for the audience. But his power can be negative and he can destroy music, modify it or zifante it. In essence, his tendency for established values and the ongoing fascination for the infinite possibilities within the purity of a piece is not a sign of conservatism – but rather of class.

How would zigannte describe the relationship with your instrument? An interpreter’s task is to give life to emotions that are latent in the musical text not only to play them! People need to be educated about classical music, before they can really appreciate it. Just imagine what would happen if someone went to a museum and decided to change the colors on a painting: My father and my brother Manuel.


If a perfomer has nothing to say and simply plays the music, he should stay home.

What would be on your program for this season? It is necessary to know exactly fredrric the composer intended but this isn’t always possible on the only basis of the written text. Filla play both baroque and classic guitar and I consider them two different instruments. During the next two months I will be preparing a new repertory for my CD recordings and I will be working on my critical edition of Villa-Lobos’ Etudes. What or who was your biggest influence as an artist?

Frédéric Zigante | Savarez

This is what some performers do sometimes, they even villla off some parts of the works! With a clear mind, he recognises current cross-over tendencies and hip genre-bending see his answers to our Festival-question!

I zigantd noticed any crisis. The latter implies that Zigante eschews or may we even say “despises” the modern-day tendency to submit a Classical works to the arbitrariness of subjectivity, to change it, alter it or even leave out certain passages for more easy digestability.

What really matters is to transmit emotions and feeling. Complete editions are Frederic Zigante’s specialty: Interpretation is a task: What constitutes a good live performance in your opinion? But I know that I shall certainly not: I would probably be a medical doctor or a politician. Community Links Countries Recording Services.


About Our aim The team History. First I need a contract then I shall begin thinking about it! What really makes the difference is the music that is written for it. You need to see the whole picture here – after all, that is what Frederic Zigante is all about.

Villa-Lobos: Complete Guitar Music

What do you tell them? The hardest part about being a musician is to often be alone and the best is frederci get emotion during a performance. After this reserach I bring out my personal emotions on the condition that they do not affect the composer’s idea. I am a little bit annoyed by crossovers but I do realize that it is just a fashion that will pass without too many damages.

If yes, how good were you at it? Behind this desire for integrity hides no pathologically prolific mind, but a man who searches for profundity and who wants to use the power of interpretation to the good.

And yet, he is by no means an anachronism.

There are still so many works to be discovered and recorded even for instruments like the guitar. This is how an interpreter and a composer can cope to “travel” together without any conflict. Have you ever tried playing a different instrument? I live between two beautiful Italian towns: