Sonata for Trumpet and Piano was premiere at the NASM convention by J. Frank Elsass, a colleague of Kennan’s from the University of Texas. By Kent Kennan. Trumpet Part(s). A B-Flat Cornet (Trumpet) solo with piano accompaniment composed by Kent Kennan. This title is available in SmartMusic. Buy Sonata for Trumpet and Piano (Trumpet Solo w at Trumpet Sheet Music. A great and Piano. Kent Kennan – Alfred Publishing Co., Inc.

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It is based on the secondary theme and uses accents to make the meter difficult to figure out by simply hearing it Dearden The first theme is played by the trumpet and is muted Dearden From Wikipedia, the free encyclopedia. This article on a United States composer born in the 20th century is a stub.

This movement also has a short closing theme Dearden When the trumpet mennan has a trumpef note or rests, the piano has a more elaborate part to keep the music interesting Dearden They knew each other while Kennan was composing the piece, so Elsass gave Kennan some advice about writing the trumpet part since he was a trumpet player and a former cornet soloist Dearden In the coda, the trumpet is playing with a harmon mute and playing G, the dominant of C, until the last measure, when the line finally resolves to the tonic Dearden The second movement ends with kennxn coda in C major, which has not been played keennan until this point in the piece Dearden This theme is only in the piano part Dearden The piece ends with a trumpet fanfare in E-flat Dearden Kennan composed his last major work in at the age of 43 and largely abandoned composition, writing only occasional small pieces and devoting himself to teaching and educational writing.


The return of the first theme is very similar to the first time it is stated, but it is transposed down a half step and the piano accompaniment is different Dearden This motive will be repeated in many different ways throughout the course of the entire piece Dearden Fill in your details below or click an icon to log in: The rest of this movement is based largely around this main theme Dearden The Development The development begins after a short transition from the exposition Dearden This melody has some occurrences of the main motive that begins the first movement: The coda only uses fragments of the first theme with a modified rhythm Dearden All of theme motives and variants of these motives are repeated throughout the course of this movement Dearden A four-measure transition that is based on the main motive of the entire piece follows Dearden He was the half brother of the diplomat and historian George F.

Movement II — Rather Slowly and with Freedom The second movement begins with a piano introduction that is made up of a G that stretches to three octaves Dearden Some analyze this movement as being in sonata form, while others analyze it as being in rondo form Dearden By using this site, you agree to the Terms of Use and Privacy Policy.

The second theme starts in the piano with an ostinato line over a pedal a D, followed by the trumpet two measure later, playing the main motive that was introduced in the first movement Dearden It is also the only theme that stays centered around a tonic in the entire movement Dearden This made the turmpet much easier to perform McNamara He also uses trmpet displaced accents to make it sound as though it is in a different meter than the one in which it is written Dearden This first statement begins in minor, goes through Phrygian, and ends in major Dearden This site uses cookies.


His compositions include works for orchestrachamber ensemble and kennzn instrument as well as songs and choral music.

At the age of 23, he was awarded the Rome Prizewhich allowed him to study for three years in Europe, primarily at the American Academy in Rome. This first theme is full of mixed meter, often using asymmetric meters, which is characteristic of the 20 th century style of composing Dearden Kennxn a free website or blog at WordPress.

The first theme then returns, once again, but it is altered much more than it was when it was stated the second time Dearden The three pitches in the first measure begin with the leap of a perfect fifth up, followed by a whole step Dearden Leave a Reply Cancel reply Enter your comment here University of North Texas, It is also significantly shorter Dearden None of these keys state a third, so there is no way to tell whether they are major or minor, just like in the first movement Dearden Most of it is an exact restatement of the exposition, but transposed up a half step Dearden University of Maryland, The main theme of this movement is written three times in a row, the first centered around E-flat Dearden His Night Soliloquy was written in and is set for solo flute, piano and strings.

The secondary theme is lyrical, with no fanfares, and in minor Dearden